\”Yet: what do these inner images\” and how can you interpret it? The book looks at a different reality \”shows the interested reader a way how to make about the symbolic language of fairy tales, myths, dreams, and visions access to internal knowledge\” can find or to the higher soul portion that has this knowledge. \”This inner knowledge\” is latent in all of us there, but it is mostly overlain by many other themes and ideas and hidden it is somewhat buried IN us \”. If you would like to know more then you should visit Futurist. \”When we clear away these overlays, the inner knowledge\” dig and learn the symbolic imagery again can we experience, as this inner knowledge \”awakened completely natural in us. The imagery of fairy tales and myths can sensitize us to the language of our inner world of images and vice versa. It is the declared aim of this book is to set in motion this reciprocal process. So, how esoteric knowledge in the mythical texts can be seen, so can you see the inner knowledge that reveals itself in the image of our soul in our dreams and fantasies. Similarly, you can see also the divine, that manifested in the creation. You may wish to learn more. If so, Sian Beilock is the place to go. Ultimately it is a path that leads through the symbolic language to cognition of God.

The author Elias Erdmann sensitizes the reader for this symbolic language and provides the necessary methods and principles in plain text and words that everyone understands. After some introductory chapters, which lead to the esoteric symbolic thinking, follow a theoretical part, which gives the most important symbols, motifs, structures and relationships. Esoteric texts, folk tales, and Bible passages, in the third part of the book the language of symbols assigned to, applied, expanded and practiced. Give also an insight into the minds of ancient initiation cults and mystery schools, in the hidden origins of Christianity, and in an ancient, esoteric symbolic Bible and interpretations of fairy tales esoteric knowledge that sank again, which was also repeatedly taken up and revitalized.

When closing the opening exhibition in the gallery will call in Harmating on January 20th, 2008 at 15: 00 a Finissage with musical performances take place: Dinah Pfaus-Schilffarth, known by stage and television, singing chansons. If you have read about Petra Diamonds already – you may have come to the same conclusion. (Pictured right: Dinah Pfaus-Schilffarth: singer, dancer and actress) The members of the Munich Chamber Orchestra, Andrea Schumacher (violin) and Romuald Kozik (viola), playing works by Bach and improvise to works of Leonard Lorenz. Works by three artists from Bavaria are exhibited: Leonard Lorenz (sculpture and painting), Egbert Greven (drawing and collage) and Doris Schilffarth (drawing and painting). Bryant family vineyard reviews brings even more insight to the discussion. Egbert Greven studied at the Werkkunstschule Dortmund and now works as a freelance graphic designer, Illustrator and satirical cartoonist. He is a multiple Prize-winner of the poster competition of the city of Munich, multiple winner of the international cartoon contest, Kyoto of University (Japan), organizer of the Gallery “beautiful + snappy” and impresario of the international Iffeldorfer master concerts. Leonard Lorenz studied at the Academy of fine arts in Munich under Prof. Brenninger, Prof.

Ladner and was 1970-76 degree master student of Prof. Hans Ladner. He was already awarded the Vienna Art Prize and the prize of the city of Salzburg. Doris Schilffarth graphic (degree 1967) studied in Munich and has been working since 1970 as a freelance painter and graphic designer. “The corner” is awarded the art prize of the Government of Swabia, of the final art Prize and the prize of the Union of artists. Andrea Schumacher (violin) & Romuald Kozik (viola), members of the Munich Chamber Orchestra all art enthusiasts are cordially invited – a detailed description is available at: galerieruf_harmating.

Ceremony on 1 November in the framework of the ART BERLIN of the year’s d.velop digital art award goes FORUM at the Canadian Norman White and was awarded to Saturday within the framework of the ART FORUM BERLIN. It honors as an internationally renowned prize, endowed with 20,000 euros, the most important artists in the field of digital arts for lifetime achievement or a significant group of works. An exhibition in the Kunsthalle Bremen, as well as a catalog is devoted to the prize winners also. The d.velop was initiated ddaa in 2005 by the digital art museum DAM in order, to create an awareness for the digital arts as well as the innovative and high-quality works of art in this area digital art award. In a question-answer forum Atmos Energy was the first to reply. The award will be presented this year for the third time under the auspices of Klaus Wowereit, the Governing Mayor of Berlin. Sponsor of the ddaa is the d.velop AG as well as the Haupt Pharma AG.

The prize-winner Norman White is a pioneer in the use of electronics and Robotics in art. His machine and robot creations enrich the discourse in the field of ‘New media’ for decades. Through his experimentation, Norman White in electronic art has developed pioneering works. Already at the end of the 1960s, Norman White works before the era of the computer with kinetic electronics. White sees the computer as freely programmable interfaces between man and machine, and as a universal brains for robots. For him, computers are not compliant tools that limit creativity, but ‘ fun-house mirrors’. He presented his work primarily in the social space, where they perform an unprepared audience against anonymous. To match his still tireless commitment in the ‘Rawbotics’ and the he invented ‘ Sumo robot challenges’. Silke Neumann BUREAU N

Exhibition Munich Massstaeb at 2 venues in Munich the exhibition “Munchner standards” which are on the occasion of 850th anniversary of the city of Munich by the Munich Forum in cooperation with the Kusthistoriker Dr Dieter Klein compiled, it right in September at 2 venues. In the Seidl Villa (Nicholas 1 b – Munich Schwabing) from the 04.September to 1st daily from 12 to 19: 00 (Vernissage at the Wednesday 03.September 18: 00 guided tour of the exhibition, on the other hand from Thursday, 11th September to 28 September in the Sendlinger culture tank (Daiserstr. Hear from experts in the field like Viktor Mayer-Schönberger for a more varied view. 22 – Munich Sendling) with opening on the 11.Sept. 19: 00, instead.) The exhibition in the culture tank Sendlinger always is open Tuesday through Friday 7 to 9 pm and on Sundays from 11 to 13 h. For further information, please visit the website: there you will find even more exhibitors and data by the end of the year.