Later, many writers have adopted a Manhattan-style, this' long, thin, closely packed letters standing on small platforms have also nicknamed 'Broadway Elegant''(castleman 55). Other areas of New York also developed their own styles, which could be said about the writer's keen eye area of the city the author of a work. Learn more at: kevin ulrich. Other writers preferred to create his own style, giving them a thoughtful names. If Super Kool 223 created his own piece as a new form of graffiti, the Phase ii broke the frame shape (limiting it to other styles), his 'bubble letters' (which he called 'softie letters' (soft case)) and by others as 'Phasemagorical phantastic' (with stars), 'bubble cloud' (the clouds), etc. Phase ii said in his regular column in the 'Guide to Reality': 'For us it was a sport with its own rules and statutes, where everything is governed by those who knew how to create and introduce new' (Phase II).
Started the so-called 'Style war' – a war of styles among the writers, it was a period Time world of graffiti, it was fierce competition, the flow of ideas in the fast-growing graffiti scene. Writers were very critical of each other people's work. The originality of the movement of letters, the technique spreinga, sharpness of contours and the use of details – an integral part in creating 'burner' ('igniting' piece). Styles and techniques used by writers include wildstyle (Wild style – almost unreadable style with interlocking letters and certain direction), 3D, fading (gradually changing colors), broken letters, Gothic, and computer (Kase 2) fonts, and new versions of old styles, such as 3-D with the shadows.